LIT 2020: Course Syllabus
Course Name: Introduction to the Short Story
Term/Session: 20142 - Session II |
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Course Number: LIT 2020:
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Instructor Name:
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Dr. Patricia R. Campbell ("Dr.
Pat")
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Office/Dept. Phone:
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954-201-6642
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BConline Campus Phone:
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954-201-7900
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Fax:
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954-201-7937
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Email:
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Please use BConline (D2L) email. Use my BC
email ONLY if you
are
unable to access the course email: pcampbe1@broward.edu
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Office Hours:
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Office: Central Campus, Building #6, Room 140
(English Department)
Days/Time: Monday - Friday: 8:00 to 2:00 PM - I will be in my office
during these days and hours if you need to see
me in person.
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Online Office Hours:
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Day(s): Mondays
Time: 6:00 to 8:00 PM Meeting Location: Chat, Discussion, Pager, or outside program
such as Skype. I will be online during these
days and hours.
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BC Safety Phone #:
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954-201-HELP (4357)
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Students will engage in analysis of short stories from many
countries of the world. Authors may include Edgar Allan Poe, Flannery O’Connor,
Toni Cade Bambara, Raymond Carver, Nathaniel Hawthorne, Joseph Conrad, Zora
Neale Hurston, and many others.
This online version of the course has been divided into four
Learning Units, each with a thematic connection. The four themes utilized
within this version of the course are “Finding Oneself,” “Encountering
Society,” “The Human Mind,” and “Love and Family.”
Upon completion of this course, students should be able to:
- Analyze
plot structures as used in a variety of short stories.
- Analyze
the various types of characters and their roles in short stories.
- Identify
various points of view used in short stories and the effect of each upon
the stories and their themes.
- Recognize
symbols and identify the abstractions they represent.
More on these general outcomes can be found in the official
Broward College BC Course Outlines. Please see the
individual learning units for more detailed and specific learning objectives.
To maximize your chances for success in this course, make sure
that you meet the following course prerequisites:
- Course
Prerequisites and Co-requisites: Since this is a “Writing
Requirement” course, in order to register for this course, you must be
eligible for, currently enrolled in, or already have taken ENC1101.
During the first week of class, you must complete the course orientation quiz or
you will be withdrawn from the course. Simply logging into the course will not
satisfy your attendance during this time. As with an on-campus course, students
who are reported for non-attendance in an online course and are withdrawn are
still responsible for paying for the course. If you do not complete the
requirements of the first week of class, you should drop the course by the
official drop/add deadline or expect to pay for the course.
It is very important for you to actively participate in this
online class. If you stop participating in class discussions, do not submit
assignments, or fail to take quizzes or tests prior to the withdrawal
date, you will be withdrawn from class and receive a W or, if it is your
third attempt, an F.
If you stop participating after the withdrawal date, you will receive an F. To avoid this situation, you should remain an active learner in this class and always communicate extenuating circumstances to your instructor. Ongoing communication with the instructor is critical to your course success. Completion of tests, assignments, and other class activities are used as indicators of your participation in order to satisfy this reporting requirement.
If you stop participating after the withdrawal date, you will receive an F. To avoid this situation, you should remain an active learner in this class and always communicate extenuating circumstances to your instructor. Ongoing communication with the instructor is critical to your course success. Completion of tests, assignments, and other class activities are used as indicators of your participation in order to satisfy this reporting requirement.
See the list of activities required for participation and
attendance on the General Course Policies page
You are responsible for being familiar with all BConline policies
and procedures related to your activity in this course.
Broward College Policies
- Review the Broward College Policies on
topics including disability services, academic honesty, privacy, and
critical event procedures.
BConline Policies
- Review the General Course Policies page
for topics including rules for netiquette, definition of participation,
and other information.
Technical Requirements
- Students taking an online
course are expected to be moderately proficient in using a computer.
Please go to the Technical Requirements page
for a complete list of computer skills and technical requirements.
Communication
- Use the
course email tool only for private, personal, one-to-one communication
with a specific individual, or groups of individuals. Do not send course
related emails to the instructor's BC email address.
- In the
event that the course communication tools are unavailable for more than 24
hours, the instructor will communicate with students (if necessary) via
their BC email address. Access your BC email account at http://www.outlook.com
- Course emails and discussion posts will be answered within 48 hours. Emails and submissions sent on Saturday or Sunday, or holidays may not be answered until the next school day. It is recommended that you post course-related questions in the discussion area. Other students may have the same questions as you or may even be able to answer your questions. If you need info related to a test or assignment, plan ahead and submit your questions well ahead of the due date. Additionally, you can contact your instructor during their online office hours or schedule an online meeting. Your instructor is not online 24 hours per day, so please allow time for responses.
Title: The Story and Its Writer: An Introduction to Short Fiction, 8th edition
Author(s): Ann Charters
Publisher: Bedford/St. Martin's; (July 16, 2010)
ISBN 13: 978-0312596231
Books for online courses are available at the Central Campus bookstore
A. Hugh Adams Central Campus Bookstore
Admissions & Student Service Center - Bldg. 19
Tel: (954) 201-6830 or Fax: (954) 201-6895
Publisher: Bedford/St. Martin's; (July 16, 2010)
ISBN 13: 978-0312596231
Books for online courses are available at the Central Campus bookstore
A. Hugh Adams Central Campus Bookstore
Admissions & Student Service Center - Bldg. 19
Tel: (954) 201-6830 or Fax: (954) 201-6895
Publisher Link:
This is a 3-credit hour fully online course with/without proctored
exams. In this class, you will engage in structured out-of-class and online activities.
The online activities may include, but are not limited to, readings,
discussions, essays, case studies, research, and/or online quizzes and tests.
See the course schedule for a detailed description of activities. Students are
responsible for regularly reviewing the course schedule and completing all
required assignments. During a regular semester, you should expect to spend
between 6 to 9 hours a week on the coursework.
Read and refer to this section regularly. It will tell you what
assignments you should complete, and how to complete them. Deadlines for
assignments, assessments, discussions, quizzes, tests, and all other graded and
non-graded activities are posted in the course schedule. Submitting work late
will be permitted only under extenuating circumstances and only with prior
notification and documentation (original funeral notice, original
doctor note, etc.).
Quizzes and Exams
- Each of the course’s learning
units culminates with a series of quizzes on the stories and course
lessons that have been covered during that unit. The format of these
quizzes will be true/false, matching, multiple choice, and short answer.
Each quiz has a strict time-limit, so once you begin the quiz,
the timer begins and you must complete it within the limited time
provided.
- The MIDTERM and FINAL exams and
the Assessment Quizzes will only be available for a period of 4
days until the posted due date when the quiz will be permanently
closed.
- When taking either the quizzes
or exams, it is crucial that you click “Save Answer” after each question
to ensure that it is submitted. If time expires while you are taking the
exam, only the questions for which you have clicked “Save Answer” will
have been submitted.
- Collaboration between students
and discussion of exam/quiz questions are NOT permitted. Any violation of
this will result in immediate failure of the course.
- You may NOT use any notes,
lessons from our site, other websites, or your textbook during the quizzes
or exams. These are NOT open-book quizzes/exams. Violating
these rules will be a violation of the school’s honor code and will result
in failure of the course.
- You will only be able to
attempt each quiz or exam once. Allow time to complete each exam before
the closing date and time. Make sure you have a solid Internet connection.
If your ISP disconnects you during an exam, that will count as an attempt
and you will not be able to repeat the exam.
- Your score on these quizzes and
exams will not be available until AFTER the availability period has ended.
At that point, you can view your score and specific questions answered by
clicking on the score within the Assessments section of the course.
- Extra Credit: There will be one
extra credit quiz (on MLA Format and plagiarism), occurring near the end
of the course. If you score well on this quiz, it will be used to replace
your lowest other quiz grade in the course.
Make-up Exam
- It is at
the discretion of the instructor to offer a make-up exam. Make-up
exams will only be considered under extenuating circumstances, and
with prior notification and documentation (original funeral notice,
original doctor note, etc.). Scheduling appointments and vacations are not
valid reasons for requesting a make-up exam.
- If you
miss an exam due without the above excused absence, your grade on the exam
will be 0%. In the case of an “excused absence”, arrangements for a
make-up quiz or exam should be made with your professor by email.
Writing Assignments
- This course consists of two
types of writing assignments:
- The Research Paper (at
the end of Learning Unit #4). Because this is a “Writing Requirement”
course, you must earn a passing grade (at least a 60%) on this
paper in order to earn a “C” or higher in this course. If you skip
this assignment, the highest grade you may still earn in the course is a
“D.” The details of this assignment are explained within
Learning Unit #4. You are encouraged to review this
assignment at the beginning of the course so that you have a better
understanding of the course’s expectations.
- Plagiarism is
the use of another person’s words and/or ideas without specific,
properly-documented credit. Within the “Writing Lessons” folder, you will
find review lessons on the research process, avoiding plagiarism, and MLA
Format. It is essential that you utilize these lessons. If you engage in
plagiarism on these writing assignments or anywhere else within the course
(such as the discussion board), this will result in immediate
failure of the course. Please do not make this mistake!
- All writing assignments
submitted within the Assignments section are checked for originality
through the TurnItIn database, which is built into the Assignments
tool. TurnItIn checks student assignments for any
incidents of plagiarism by comparing these writings against hundreds of
millions of texts available in print, online, and in academic databases. If
you object to inclusion of your submission in the TurnItIn database, you
should withdraw from this course before the end of the first week of class
(in order to receive a full refund).
Late Submissions
- If any writing assignment is
submitted late, 10% will be deducted per day late (including
weekends). No assignment will be accepted beyond 3 days past the
due date.
- There will be no makeup
assignments or extra credit available. Please make sure to complete our
course’s assignments by their required date.
- The only exceptions to this
late policy will be those who are able to document a legitimate excused
absence. These include serious illness (doctor’s note or hospital admittance),
death in the family (funeral announcement, memorial card, or other
documentation needed), or similar.
The Discussion Board
- The Discussion Board is
the primary venue for interaction with your peers and your professor. You
are required to regularly participate in the discussion board so as to
better understand the assigned readings, course lessons, and assignments.
Students who succeed in this course tend to be those who regularly read
what has been posted within the discussion board and participate thoughtfully
in the on-going discussions. You must contribute ONE QUALITY
POSTING PER STORY AND PROVIDE 2 RESPONSES (50-WORDS EACH) TO TWO (2) OF
YOUR PEER'S POSTINGS for any of the stories assigned for that week.
If 2 stories are assigned for the week, post one response per story. If
there is only one story assigned for the week, both responses will address
the assigned narrative. Do not respond to your own topic and/or question.
- Instructions for Discussion
Postings: When you post, you should
respond directly to the questions posed. Posts must be 125 to 200 words, a
single paragraph. There's no need for the first person (the use of
"I"). As you are already expressing your thoughts, beliefs and
opinions in your analyses (backed up by evidence from the text of the
stories), there is no need for phrases such as "I believe,"
"I think," or "in my opinion." These are wordy and
unnecessary.
As with essays, in these posts an objective tone is preferred. As the course progresses, I expect students to use critical language and specific terms relating to the elements of prose fiction (i.e. narrator, character, point of view, irony, conflict, symbol, etc.)
Posts should ALWAYS name the story (in quotation marks) and the author at the beginning of a post. Always quote a few words and phrases or an occasional sentence from the text of the story. If you refer to the author a second time during the post, use the author's last name only, rather than first name or full name. Please see the Instructions for Making Posts in the Instructions and Guidelines Folder on your Home Page for more details and the post grading rubric. - CAUTION: Do not paraphrase,
summarize, or openly copy ideas from another student's post. Such
plagiarism will not be tolerated. Students are expect to write their own,
fully original responses. After you have made your post, always check
back in the next day or so for comments and guidelines from your peers or
instructor.
- Students are expected to
respond to each other's posts. Keep in mind that Discussions are
CONVERSATIONS, NOT lectures. Every posting must also be accompanied
by 2 peer responses or be subject to a penalty of -2 points. PEER
RESPONSES acknowledge the major point of the analysis and contribute to
the conversation by adding examples or posing
additional points for analysis. Any writing suggestions should be provided
at the end of the response, followed with a positive comment.
- Post questions in the
discussion board topic labeled "Ask Questions here" or email
your instructor via BConline email.
Course Schedule
Read and refer to this document regularly. It will tell you what
assignments you should complete, and how to complete them. (Even if you
do not print out the entire syllabus, you are strongly encouraged to print and
save this section)
LIT 2020: 8 Week Schedule: January 7th –
February 28th
Unit 1 - Finding Oneself
Learning Outcomes |
Date to Date:
January 7-17, 2014
Learning Materials |
Assignments & Assessments
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Upon completion of this unit,
students will be able to:
· Write clearly and coherently about
the search for individual identity amidst society’s pressures as well as the
literary devices employed within this unit’s short stories.
·
Demonstrate critical comprehension of setting, characters, and
key plot points presented.
·
Analyze plot structures, characterization, point of view, and
symbolism as used in a variety of short stories
· Contribute to a collaborative
discussion of the major themes and ideas presented within the selected short
stories, seeking to incorporate textual evidence where possible.
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Read the Course Introduction and Syllabus found on our course
homepage.
Read Lesson #1 (“Elements of the Short Story”) within the Course
Lessons folder on our course homepage
Read the following short stories from your
textbook (in this order):
2. “Paul’s
Case” by Willa Cather
3. “The Lone
Ranger and Tonto Fistfight in Heaven” by Sherman Alexie
4. “A Good
Man is Hard to Find “by Flannery O’Connor
5. “Battle
Royal” by Ralph Ellison
Read the related lessons within the Course
Lessons folder only AFTER reading each of the individual stories.
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1. Post your self-introduction within the “Introduction”
section of the discussion board by 1/10/14 at 11:59 PM.
2. Complete the Orientation Quiz by 1/10/14 at 11:59
PM. If you do not complete this quiz by the deadline, you will be
withdrawn from this course.
3. Complete the Quiz on Elements of the
Short Story by 1/10/14 at 11:59 PM.
4. Contribute one quality discussion
post per story and 2 peer responses on “The Kugelmass Episode” and “Paul’s
Case”
AND complete the quizzes on these stories by 1/10/14
at 11:59 PM.
5. Contribute one quality discussion
post per story and 2 peer responses on ““The Lone Ranger…,” and “A
Good Man…,” and “Battle Royal”
AND complete the quizzes on these stories by 1/17/14
at 11:59 PM.
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Unit 2 - Understanding Society
Learning Outcomes |
Date to Date:
January 20-31, 2014
Learning Materials |
Assignments & Assessments
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Upon completion of this unit, students will be able to:
·
Write clearly and coherently about the roles of religion, race,
gender, and sexuality in shaping society’s expectations within this unit’s
short stories.
·
Demonstrate critical comprehension of setting, characters, and
key plot points presented.
·
Recognize, define, and discuss key literary terms and literary
devices.
·
Analyze plot structures, characterization, point of view, and
symbolism as used in a variety of short stories
·
Contribute to a collaborative discussion of the major themes and
ideas presented within the selected short stories, seeking to incorporate
textual evidence where possible.
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Read the following short stories from your
textbook (in this order):
1. “That
Evening Sun” by William Faulkner
2. “Where Are
You Going, Where Have You Been?” by Joyce Carol Oates
3. “Hands”by Sherwood Anderson
4. “The
Lesson” by Toni Cade Bambara
5. “A Very Old Man with Enormous Wings” by Gabriel Garcia Marquez
Read the elated lessons within
the Course Lessons folder only AFTER reading each of the individual stories.
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1. Contribute one quality discussion
post per story and 2 peer responses on “That Evening Sun” and
“Where Are You Going, Where Have You Been?” and “Hands”
AND complete the quizzes on these stories by 1/24/14
at 11:59 PM.
2. Contribute one quality discussion
post per story and 2 peer responses on “The Lesson,” and “A
Very Old Man…” by 1/31/14 at 11:59 PM.
AND complete the quizzes on these stories by 1/31/14
at 11:59 PM.
3. Complete the Midterm Exam by 1/31/14 at 11:59 PM.
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Unit 3 - The Human Mind
Learning Outcomes |
Date to Date:
February 3-14, 2014
Learning Materials
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Assignments & Assessments
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Upon completion of this unit, students will be able to:
· Write clearly and coherently about
the complexity of the human psyche and individual thought processes as well
as the literary devices employed within this unit’s short stories.
· Demonstrate critical comprehension of
setting, characters, and key plot points presented.
· Analyze plot structures,
characterization, point of view, and symbolism as used in a variety of short
stories
· Contribute to a collaborative
discussion of the major themes and ideas presented within the selected short
stories, seeking to incorporate textual evidence where possible.
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Read the following short stories from your
textbook (in this order):
1. “Cathedral” by Raymond Carver
2. “The Fall
of the House of Usher” by Edgar Allan Poe
3. “The Open
Boat” by Stephen Crane
4. “Heart of
Darkness” by Joseph Conrad
Read the related lessons within the Course
Lessons folder only AFTER reading each of the individual stories.
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1. Contribute one quality discussion
post per story and 2 peer responses on “Cathedral” and “The
Fall of the House of Usher” AND complete the quizzes on these stories by
2/7/14 at 11:59 PM.
2. Contribute one quality discussion
post per story and 2 peer responses on “The Open Boat” and
“Heart of Darkness” AND complete the quizzes on these stories by 2/14/14
at 11:59 PM.
3. Submit your Proposal for Research
Paper by 2/14/14 at 11:59 PM.
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Unit 4 - Love and Family
Learning Outcomes: |
Date to Date: February 17-28
Learning Materials |
Assignments & Assessments
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Upon completion of this unit, students will be able to:
·
Write clearly and coherently about the interrelated themes of
love, sex, and family as well as the literary devices employed within this
unit’s short stories.
·
Demonstrate critical comprehension of setting, characters, and
key plot points presented.
·
Analyze plot structures, characterization, point of view, and
symbolism as used in a variety of short stories.
·
Contribute to a collaborative discussion of the major themes and
ideas presented within the selected short stories, seeking to incorporate
textual evidence where possible.
·
Identify high-quality research sources on selected authors and
literary themes.
·
Compose a thesis-driven, properly documented (MLA format)
research paper which incorporates multiple primary and secondary sources.
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Read the following short stories from your
textbook (in this order):
1.
“The Red Convertible” by Louise Erdrich
2.
“Sonny’s Blues” by James Baldwin
3.
“Hills Like White Elephants” by Ernest Hemingway
4.
“Sweat” by Zora Neale Hurston
5.
“Night Women” by Edwidge Danticat
Read the related lessons within the Course
Lessons folder only AFTER reading each of the individual stories.
Read the explanation of the Research Paper Assignment contained
within Learning Unit #4. Also review the lessons in the “Writing Lessons”
folder on the course homepage.
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1. Extra Credit (5 points): Complete the Quiz
on MLA Format & Plagiarism(based on the lessons/links in the “Writing
Lessons” folder) by 2/21/14 at 11:59 PM.
2. Submit the Research Paper by 2/21/14
at 11:59 PM. Please upload this to both the Assignments section
of the course.
No late papers will be accepted.
3. Contribute one quality discussion
post per story and 2 peer responses on “The Red Convertible”
AND “Sonny’s Blues,” and “Hills Like White
Elephants” AND complete the quizzes on these stories by 2/21/14
at 11:59 PM.
4. Contribute one quality discussion
post per story and 2 peer responses on “Sweat” and “Night Women” AND complete
the quizzes on these stories by 2/28/14 at 11:59 PM.
5. Complete the Final Exam by
2/28/14 at 11:59 PM.
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EXAM
Policy:
·
Online quiz and exam
grades will be available AFTER the availability period has ended.
·
Grades for assignments
will be posted within five BC working days of the closing date of the
assignment.
·
Grades for discussion
postings will be posted within five BC working days after the discussion has
closed.
- How
your Grade will be Determined
Assessment
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Graded Points
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20 Quizzes (not including the
Course Orientation Quiz)
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105
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Midterm Exam
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100
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Final Exam
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100
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19 Discussion Board Postings with
peer responses
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190
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Proposal for Research Paper
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10
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Research Paper
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200
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Total
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705
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Grading Scale
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Grades
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Percentage
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Grade = A
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90-100% (634.5 points and above)
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Grade = B
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80-89.9% (564 to 634)
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Grade = C
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70-79.9% (493.5 to 563)
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Grade = D
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60-69.9% (423 to 493)
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Grade = F
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59.9%-0.0% (422 or less)
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Tutoring Services:
The Writing Center is
available to assist you in improving your grammar and other sentence-level
skills. In addition, you may schedule an appointment with a tutor who will
provide feedback on your drafts. On Central Campus, the Writing Center is
located in the 2nd floor of the library. On South Campus, the Writing Center is
located in bldg. 72.
In addition, one-on-one online feedback for your
drafts is available through a service known as SmartThinking. The link to this
service can be found by logging into the MyBC on Broward College's homepage. Click here for the SmartThinking Handbook.
Technical Problems:
·
For year-round, 24 hour technical assistance use the information
below to reach the BConline.
- Phone number: 1 866 468-0009
- Chat: https://chat.perceptis.com/c/broward
- You can open and track a
helpdesk ticket via the BConline Support Center.
Password Reset:
- If your password
does not work or you forgot it, click this link to reset it: Student Password Reset.
If you need further support, please contact the BC helpdesk at
954-201-7521 or helpdesk@broward.edu. It's available
from 7 a.m. to 11 p.m., Monday through Friday.
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